Western art, classical music, or in this case, impressionist painters and composers, are, in my opinion, the major influences on my techniques and cultural background. I escaped to the western society, which I had assumed to be "neutral" since I was a little child, when I had to deal with the unavoidable patriarchy in Chinese culture. No matter what I assume, the bondage and single point of view remain present. In order to face who I am and whether or not I need atonement, I sought to unravel the values that I had wrapped around my body.
In addition to the cultural context, my perspective on daily conduct also contributes to my exploration for the movie. I will put on a feign when I'm in a strong or otherwise scary setting to give myself some sense of security. In order to keep myself secure, I'm abiding by the regulations. The opposite of how I truly feel and what I want to say comes through when I put on those pretend.
I created and assembled a book called The Book of Fruits in an effort to decipher the significance of the various types of fruits. It covers the connections and relationships between fruits and legends from various cultural perspectives. Typically, "fertility," "sexual desire," and "youth" are the connotations. These cross-cultural practices shape my conduct.
I experimented with ink to provide another layer of graphic language, breaking up the appearance of the fruits by printing out copies of the drawings and using both the front and back of the ink drawings in the designs for the poster and book.